1. Channel Strip
2.  Input Channel Faders
3. Display and Monitor
4. Group/Bus/Main Channel Faders
5. Scene/Assign/Mute Groups

48 external/internal sources (simultaneously from 176 possible sources)

·        32 onboard microphone preamps (“local”  Mic 9-16, 25-32 not shown)

·        6 onboard AUX Returns (external analog)

·        2 onboard from USB music player

·        8 FX Returns from onboard FX Processors (internal digital)

·      

32 from optional I/O “card” (external digital -- SCS)

·        USB

·        Firewire

·        96 Remote mic. preamps from digital snake (S16 -- we have 2 -- 32 inputs total)

o   AES50 A – 3 x 16

o   AES50 B – 3 x 16

25 internal mix busses (“sends”)

16 multipurpose busses (“MixBus 1-16”)

o   Pre/post EQ (Recording sends (feeds))

o   Pre Fader (Monitor sends)

o   Post Fader (FX sends)

o   Subgroup -- no send fader (grouping Vocals, Chorus, Band etc)

6 Matrix busses

·        Combine any of the 16 multipurpose busses

Main LR + Mono or Main LCR

92 external outputs possible (we are equipped for 40 physical outputs)

·        16 onboard analog outputs (“local”)

·        6 onboard AUX Sends (external analog)

·        32 to optional I/O “card” (external digital -- Reaper)

o   USB

o   Firewire

·        48 Remote external analog outputs on digital snake  (S16 -- we have 2 -- 16 outputs total)

o   AES50 A – 3 x 8

o   AES50 B – 3 x 8

10 internal outputs

·        2 onboard to USB recorder

·        8 FX sends to onboard FX Processors (internal digital)